NO VISA FOR THIS COUNTRY - AURILLAC FESTIVAL August 2015
Travelling in fictional cityscape
Public space theater
No Visa for this Country is the story of a disappearance, that of Jeanne.
Nevertheless, it seems present.
It manifests impalpable and fugitive, in the guise of a woman ethereal look.
She reveals through messages left on her answering machine.
It is through the voice of a narrator who tells symbolically.
His face is exposed on the disappearance of posted notices on the walls of the city.
Its silhouette appears through strange figures of men and women, dressed in the same costume, attired in the same hat that Joan wore on Friday 30 September.
Visa No Country for this highlights the paradox that makes a missing person makes the absent eminently present. The latter gradually became a multi-tude of traces in the city.
At his death, Jeanne wore a cowboy hat. No myth is more widespread in contemporary Western culture as the cowboy. Sort of knight-errant, he is witness to the false nostalgia for a pastoral way of life now gone, a lost balance between man and the natural environment. This cowboy hat is the manifestation of an identity, of belonging to a world that is no more. No Visa for this Country is an invitation to travel and wandering, opening a breach poetic in everyday spaces.
Travelling in fictional cityscape
Public space theater
No Visa for this Country is the story of a disappearance, that of Jeanne.
Nevertheless, it seems present.
It manifests impalpable and fugitive, in the guise of a woman ethereal look.
She reveals through messages left on her answering machine.
It is through the voice of a narrator who tells symbolically.
His face is exposed on the disappearance of posted notices on the walls of the city.
Its silhouette appears through strange figures of men and women, dressed in the same costume, attired in the same hat that Joan wore on Friday 30 September.
Visa No Country for this highlights the paradox that makes a missing person makes the absent eminently present. The latter gradually became a multi-tude of traces in the city.
At his death, Jeanne wore a cowboy hat. No myth is more widespread in contemporary Western culture as the cowboy. Sort of knight-errant, he is witness to the false nostalgia for a pastoral way of life now gone, a lost balance between man and the natural environment. This cowboy hat is the manifestation of an identity, of belonging to a world that is no more. No Visa for this Country is an invitation to travel and wandering, opening a breach poetic in everyday spaces.
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