Minifesto
Enigma n^2022 is a philosophical music & poetry toy for poets, musicians & philosophers from the age of 7 up. This is a new sort of poem. A new sort of music. A new sort of toy. A new sort of instrument. A new sort of art. This puts it all together.
If you do nothing, it performs in 'gallery mode'—which it enters when there's no input for 2 minutes (or after you press 'g'). You just watch and listen, then. If, on the other hand, you interact via touch, mouse or keyboard, it enters 'interactive mode' and responds to you.
Click the background until it's all funky—or click and hold for zipFunk, which fast-forwards you into the unknown, the interzone, through revolutions of the meanometer color pie at top left.
Set the speed of meaning slider, the audio pitch range, from 10 octaves down to 2 octaves up. You glimpse different worlds in different levels of pitch—though the 5-second audio source sound is the word 'meaning' intoned thrice,
played backwards once,
forwards twice.
The microscope opened new worlds to us. New creatures. New ideas about this world, too. So too with microsound concerning sound and music.
The audio consists of simultaneous slivers of sound—called 'grains' in the world of 'granular synthesis' (this is that world). 'Slivers' is more apt here—or 'stripes': each of the onscreen stripes represents a short sample of audio, usually looped, sampled from the 5-second sound file from which all of the audio derives.
Different levels of pitch—together with arbitrary levels of loopiness—seemingly contain different animals, from buzzing gnats to bullfrogs and big cats—different machines, different human and semi-human voices, different jungle/menagerie soundscapes when many sounds play at once—different musics—different meaning altogether—different whole worlds—from the vocal sound at room temperature, normal pitch—the sound from which it derives.
This is not your daddy's digital poetry or sound poetry.
Explore the concept. View six background colors to complete one revolution of the meanometer color pie—speeded by interaction, especially zipFunk.
Use the “simple”/“complex” horizontal pair of diamond buttons (mouse, keyboard or touch) to increase/decrease the number of stripes/slivers.
The width of the stripe is the duration of the sound. Stripe duration ranges from 0.001 seconds to 5 seconds. The "granular"/"vocal" buttons set the max width/duration of the stripes.
Color music is in the combination of colors. Use the 'color' button (or the 'x' and 'c' keys) to cycle through the palettes. Each of the 6 background colors has a different set of 30 palettes associated with it. 'x' is for 'previous palette', while 'c' is for 'next palette'. You'll then see info such as “Palette 10 has 5 colors”. Since the stripes are not fully opaque and often overlap, that produces new colors not among the colors of the current palette. The color is generative, in that sense. The audio is generative as well in that it consists of slivers sampled randomly from 'gninaem meaning meaning'. The meaning is generative, but by you, in your interpretation of it.
The more sounds/stripes, the more complex the sound and visuals. But the complexity of only 1-12 slivers has more varied music to it than the music in, say, 800-1000 slivers, which is a larger, more indistinct jungle/menagerie landscape of creatures. Whereas you get em up close with 1-12 slivers.
Complexity of sound is not the same as complexity of music.
Music is associated with distinctive patterning of sound. Past a point, the more sounds, the less distinct the sound is from what it is with one more sliver in it.
The “random”/“rhythmic” pair of diamonds sets the max number of times each sliver will loop before it moves on to a different position and width. Setting “random”/“rhythmic” to 1 gives you a random sound and active animation. Try “random”/“rhythmic” at various very small values.
The enigma of meaning awaits.
Best with headphones.
Enigma n^2022 is a philosophical music & poetry toy for poets, musicians & philosophers from the age of 7 up. This is a new sort of poem. A new sort of music. A new sort of toy. A new sort of instrument. A new sort of art. This puts it all together.
If you do nothing, it performs in 'gallery mode'—which it enters when there's no input for 2 minutes (or after you press 'g'). You just watch and listen, then. If, on the other hand, you interact via touch, mouse or keyboard, it enters 'interactive mode' and responds to you.
Click the background until it's all funky—or click and hold for zipFunk, which fast-forwards you into the unknown, the interzone, through revolutions of the meanometer color pie at top left.
Set the speed of meaning slider, the audio pitch range, from 10 octaves down to 2 octaves up. You glimpse different worlds in different levels of pitch—though the 5-second audio source sound is the word 'meaning' intoned thrice,
played backwards once,
forwards twice.
The microscope opened new worlds to us. New creatures. New ideas about this world, too. So too with microsound concerning sound and music.
The audio consists of simultaneous slivers of sound—called 'grains' in the world of 'granular synthesis' (this is that world). 'Slivers' is more apt here—or 'stripes': each of the onscreen stripes represents a short sample of audio, usually looped, sampled from the 5-second sound file from which all of the audio derives.
Different levels of pitch—together with arbitrary levels of loopiness—seemingly contain different animals, from buzzing gnats to bullfrogs and big cats—different machines, different human and semi-human voices, different jungle/menagerie soundscapes when many sounds play at once—different musics—different meaning altogether—different whole worlds—from the vocal sound at room temperature, normal pitch—the sound from which it derives.
This is not your daddy's digital poetry or sound poetry.
Explore the concept. View six background colors to complete one revolution of the meanometer color pie—speeded by interaction, especially zipFunk.
Use the “simple”/“complex” horizontal pair of diamond buttons (mouse, keyboard or touch) to increase/decrease the number of stripes/slivers.
The width of the stripe is the duration of the sound. Stripe duration ranges from 0.001 seconds to 5 seconds. The "granular"/"vocal" buttons set the max width/duration of the stripes.
Color music is in the combination of colors. Use the 'color' button (or the 'x' and 'c' keys) to cycle through the palettes. Each of the 6 background colors has a different set of 30 palettes associated with it. 'x' is for 'previous palette', while 'c' is for 'next palette'. You'll then see info such as “Palette 10 has 5 colors”. Since the stripes are not fully opaque and often overlap, that produces new colors not among the colors of the current palette. The color is generative, in that sense. The audio is generative as well in that it consists of slivers sampled randomly from 'gninaem meaning meaning'. The meaning is generative, but by you, in your interpretation of it.
The more sounds/stripes, the more complex the sound and visuals. But the complexity of only 1-12 slivers has more varied music to it than the music in, say, 800-1000 slivers, which is a larger, more indistinct jungle/menagerie landscape of creatures. Whereas you get em up close with 1-12 slivers.
Complexity of sound is not the same as complexity of music.
Music is associated with distinctive patterning of sound. Past a point, the more sounds, the less distinct the sound is from what it is with one more sliver in it.
The “random”/“rhythmic” pair of diamonds sets the max number of times each sliver will loop before it moves on to a different position and width. Setting “random”/“rhythmic” to 1 gives you a random sound and active animation. Try “random”/“rhythmic” at various very small values.
The enigma of meaning awaits.
Best with headphones.
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