Office Magazine Issue 12 AR Cover
**You need a copy of Office Magazine issue 12 to activate the AR experience**
To activate AR, position Office Magazine issue 12 with the 100 Gecs cover so that you can see the cover through your phone's screen.
For best results, ensure the magazine is laying flat on a well lit surface.
Turn SOUND ON.
AR Cover Art by Tin & Ed
Music by 100 Gecs
Glasses by GENTLE MONSTER
OFFICE MAGAZINE
Office magazine provides an unorthodox approach to fashion and creative culture at large.
This bi-annual magazine is a collection of original personalities from out of the ordinary lives.
Office advocates impulsive expression and welcomes raw material and general mischief! Each issue showcases the work of renowned talents in fashion styling and photography and presents a spectrum of characters from the realm of celebrity to the realm of the unfamiliar.
Office strives to entertain, to stimulate and to provide its readers with an ‘out of office’ experience!
*Office Magazine AR is only available on iOS 11 and above.
**You need a copy of Office Magazine issue 12 to activate the AR experience**
To activate AR, position Office Magazine issue 12 with the 100 Gecs cover so that you can see the cover through your phone's screen.
For best results, ensure the magazine is laying flat on a well lit surface.
Turn SOUND ON.
AR Cover Art by Tin & Ed
Music by 100 Gecs
Glasses by GENTLE MONSTER
OFFICE MAGAZINE
Office magazine provides an unorthodox approach to fashion and creative culture at large.
This bi-annual magazine is a collection of original personalities from out of the ordinary lives.
Office advocates impulsive expression and welcomes raw material and general mischief! Each issue showcases the work of renowned talents in fashion styling and photography and presents a spectrum of characters from the realm of celebrity to the realm of the unfamiliar.
Office strives to entertain, to stimulate and to provide its readers with an ‘out of office’ experience!
*Office Magazine AR is only available on iOS 11 and above.
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