In this audio effects app, you can select and dynamically modulate 11 different sound effects using an intuitive sequencer. Includes step-based modulation, multiple effect parameters, and real-time automation features.
AppRecs review analysis
AppRecs rating 4.8. Trustworthiness 71 out of 100. Review manipulation risk 27 out of 100. Based on a review sample analyzed.
★★★★☆
4.8
AppRecs Rating
Ratings breakdown
5 star
83%
4 star
17%
3 star
0%
2 star
0%
1 star
0%
What to know
✓
Low review manipulation risk
27% review manipulation risk
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Credible reviews
71% trustworthiness score from analyzed reviews
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High user satisfaction
83% of sampled ratings are 5 stars
About BLEASS Motion FX
BLEASS Motion FX contains 11 different effects which you can modulate precisely thanks to an intuitive and comprehensive sequencer.
The 11 effects included are:
- Low Pass Filter
- High Pass Filter
- Band Pass Filter
- Volume
- Pan
- Pitch Shifter
- Frequency Shifter
- Ring Modulator
- Warmth
- Bit Crusher
- Delay
Each effect has a parameter automated by the sequencer and can have one or more secondary parameters. Pick an effect and then modulate it dynamically thanks to the motion sequencer. When switching effects, the motion sequencer keeps its state to invite you to new sound design ideas!
BLEASS Motion FX is also available for Windows & macOS
More detailed information are available on https://www.bleass.com/motionfx/
BLEASS Motion FX Screenshots
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Reviews for BLEASS Motion FX
hyperfocusmusic
Wow incredible
This is amazing, unique, beautiful and full if so much movement , sound designers dream fx and fun to create with beyond just the amazing presets, also so many presets compared to EQ motion (which I also love )
Robert j. Houdini
Needs a less random random
Dig the app, the fx are pretty good though intentionally don’t have the most in depth control. This is well worth the $ if you’re into beat-sync’d effects. I think it would greatly benefit from a panel to let you pick what to randomize - I keep getting situations where I hit the dice but it suddenly doesn’t sound like anything is going on either because the mix is suddenly 5%, or the onset envelope time ends up being longer in ms than the effect’s BPM*Division. Ie a delay that kicks in after 40ms doesn’t happen if the onset is suddenly set to 450ms - that is math that could be checked but really I would prefer if I could get it so only the envelopes and random%s would change but leave the #of steps, division of bpm, and MIX%(!) alone.
