His poetry episodes (1907-11) show a lack of artistic flair, but the desire of the young poet to understand the meaning of social phenomena and to draw with poetic language. He wrote about the injustice of society and the fate of women, the scholastic nature of religious education. Although he sought to portray riches and poverty through the life of the wealthy and the poor, this attempt failed to demonstrate high political talent and political views. In the new era of his creative work, which began in 1912, Toraygyrov called Abai, Ybrai's education, and invited young people to study. "She is born as a mammoth, she is determined to take the day," encouraged her to win the battle, and pursued a search for truth. After the poems of the first propaganda, the poet extends the field of lyricism and strives to describe the lyrical character of the character. His poems do not seem to be fateful, but to look at the hardships that are striving for success. Since then, the poet's works have been tested for their originality. He fights against the tradition of ridiculous traditions and devious rituals among Kazakhs. In poems written on nature, love, the poet considers human feelings in public, in terms of social life. An anti-old approach leads to conflict with injustice in society ("Is It Just Right?", "One Person," etc.). He painted the realities of life, expanded the content of the Kazakh poem, created lyric poems with syllables. He has written many essays, essays, literary and critical articles, two novels ("Kamar sulu", "Who is flat?"), Four poems "Introducing" (1917 - 18), "Hell Life" (1918), "Poor" (1919 ) And Aytys. Toraigyrov's "Kamar Suluu" is the epitome of the era of women's inequality. In the novel, "Who is in the plane?", in the novel describes the realities of rural life, the Kazakh people are not economically developed, the uncertainty and the peasant are tested for their sluggishness, laziness, dissatisfaction.
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